Now, my introduction to Mr Cohen was from the early CBS samplers, possibly The Rock Machine Turns You On, and consisted of either Suzanne Takes You Down or Bird On A Wire I forget which. I'm at that sort of age. It was, I thought then, music to slit your wrists to. Dirge like, undoubtedly poetic but not my main musical staple diet. Many years later I clocked First We Take Manhattan and Dance Me To The End of Love and woke up to the fact that I had missed out on years of a major musical talent. So when MB made this offer I jumped at it. After all he's not getting any younger and neither am I. There might not be another chance.
So I, my better half and two friends braved the light drizzle and headed for the outdoors and what a night it was. To say we were blown away by his enthusiasm, joie de vivre, charisma and pure unadulterated talent is an understatement. A week later I'm still stoked by the experience and I would recommend it unhesitatingly to anyone even a non-Cohen addict. Apart from Cohen himself, his musicians were brilliant in their own right and the performance was a tight-knit one with some spectacular soloing. Watching this 74-year old skipping on and off stage between encores and the obvious joy and pleasure he showed in the music was one of the most exhilarating experiences I ever had at a gig. Although he was the centre of the show, he was more of a pivot round which his band revolved and he introduced them twice during the performance much to the audience's approval. By the end of the evening the light drizzle had developed to a steady downpour but it couldn't have mattered less and the whole crowd went away more than satisfied, me included.
Opening the show was Susan Vega who was good but seemed two-dimensional compared to the richness of the words and music that followed.